merrily we go to hell

Merrily We Go to Hell feels like a provocative title, and it’s true this alcohol-drenched drama is a predecessor to the likes of The Lost Weekend and Days of Wine and Roses. Merrily We Go To Hell . The tail end of Prohibition in the 1930s bought time for some self reflection on America’s part in regards to their weakness for the stuff. https://www.amazon.com/Merrily-We-Hell-Sylvia-Sidney/dp/B00PX7T6F0 Film. Unfortunately their wedded bliss is interrupted when Jerry's play becomes a hit and he hooks up with the wrong woman from his past. Directed by Dorothy Arzner (1932) 78 min. Director Dorothy Arzner makes a very game attempt to reconcile the warring styles of the screenplay, but there's only so much she can do to make the pieces fit naturally. Merrily We Go to Hell is directed by the only female director working in the US during the 1930s, the incomparable Dorothy Arzner. NR. Merrily We Go to Hell Synopsis: Nere-do-well Jerry Corbett finally meets and marries the right girl, Joan Prentiss. Sylvia Sidney is about as winsomely sweet as she ever was and ever could be playing a socialite at a party. AFTERNOON SCREENING AT 2PM AND EVENING SCREENING WITH DISCUSSION TO FOLLOW AT 6PM. Time Out says. Merrily We Go to Hell. Merrily We Go to Hell is a 1932 pre-Code film directed by Dorothy Arzner, and starring Fredric March and Sylvia Sidney.Its title is an example of the sensationalistic titles that were common in the pre-Code era. Redirecting to /saml_login?ReturnTo=http%3A%2F%2Fwww.tcm.com%2Ftcmdb%2Ftitle%2F83340%2FMerrily-We-Go-to-Hell%2Ffull-synopsis.html. Part voguish 'sophisticated' satire, part domestic melodrama, this film from the Lubitsch era at Paramount is a curious but highly entertaining hybrid. Arzner had an illustrious career, directing over twenty films and discovering stars such as Katharine Hepburn, Rosalind Russell and Lucille Ball. Editorial Reviews. A drunken newspaperman is rescued from his alcoholic haze by an heiress whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania. Many newspapers refused to publicize the film because of its racy title. Merrily We Go to Hell: A Spirited Drama “Gentlemen, I give you the holy state of matrimony, modern style: single lives, twin beds and triple bromides in the morning.” Booze. An uneven but fairly entertaining blend of comedy and domestic melodrama, Merrily We Go to Hell was perhaps more engaging to 1932 audiences than it is to modern ones. Merrily We Go To Hell starts off as a somewhat conventional romance; Jerry Corbett (Fredric March), a Chicago newspaper reporter and a would-be playwright, accidentally meets wealthy young Joan Prentice (Sylvia Sydney) at a drunken party, and is almost immediately smitten with her. 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